Next: `Underwearables': Covert embodiments of
Up: Introduction
Previous: The photographic origins of
The architecture of the author's early WearCam systems typically
involved a mixture of digital and analog video signals, along with a
hybrid (digital and analog) communications network, as depicted
in Fig 3.
Figure 3:
Block diagram of early Personal Imaging body-worn system hardware.
The processor (computer), was connected to a communications
system, and therefore, to other computers
at remote locations (either worn by other people,
or fixed in the environment) by a digital data link.
The computer also controlled parameters (settings) of an
analog NTSC video camera as well as an
NTSC video switcher/mixer, so that the analog video from
the camera could be
routed to the NTSC display, providing a viewfinder
function. The processor (computer) also produced an NTSC
output that was fed to the video mixer for overlays.
Moreover, video from the camera could instead be directed
first through the processor prior to display, so that
the visual perception of reality could be altered (mediated).
The computer-controlled video switcher facilitated either
locally mediated reality (by way of the body-worn processor), or
remotely mediated reality (simultaneously sending and
receiving analog NTSC video
over the communications link for remote processing)
or a combination of both of these.
 |
There were three possible video signal paths that could be
switched, selected, or mixed in various proportions, as desired,
by way of the computer-controlled analog NTSC video switcher/mixer.
These three signal paths comprised:
- Direct path from video camera to display.
- Locally mediated path from camera, through processor,
to display.
- Remotely mediated path from camera, through remotely
located processor (by way of communications
system), to display.
This architecture also provided a mixture of local and remote
video recording/archival capabilities which
proved useful for the acquisition,
production, editing, and dissemination of documentary videos, etc..
Next: `Underwearables': Covert embodiments of
Up: Introduction
Previous: The photographic origins of
Steve Mann
1999-04-11