"I'd rather write a country's songs than its laws."
[paraphrased from Andrew Fletcher, 1703]
"Codecert", A Concert for the Three Laws of Human Augmentation in
real and virtual worlds
S. Mann, R. Janzen, and K. Yang, Saturday, Jun 25, 2016.
Saturday, June 25 - 8:00pm - 8:30pm
H2Orchestra/ARchestra:
Phenomenological augmented reality with water.
Composed by Steve Mann and Ryan Janzen.
Performed by: Ryan Janzen, Ken Yang, and Steve Mann.
Maple Leaf Gardens, Mattamy Athletic Centre at the Gardens, Toronto, Ontario, Canada
(link to .tgz frames)
Tonight's VRTO 2016
concert
is presented in 3 parts, and symbolizes the structural
elements of the Code of Ethics on Human Augmentation (tweet #HACode).
The Human Augmentation Code has been 14 years in the making and will be
unveiled at Tomorrow's Keynote (9:15am), further developed during the
panel (10am), and you are all invited to participate in its co-authorship
in our "Town Hall" meeting immediately following the panel.
Musical Programme begins 8pm Saturday June 25th:
- Announcement and intro by S. Mann.
- Movement 0: (tweet #HACode0) is a free-form jazz jam played on
hydraulophone
(underwater pipe organ).
S. Mann, R. Janzen, and K. Yang.
- Movement 1: (tweet #HACode1),
"Liquid Nitrogen -- Infinite Square Well" (S. Mann, 1985),
is about the Law of Sensory Auditability ("Metaveillance").
Sing (or play) along, by these rules:
- Only the following four notes are allowed to be
sounded during the movement: 1, 1#, 5, and 5#.
- Initially, 1 and 1# are sounded together for the first measure.
- Then 5 and 5# are added simultaneously, all 4 notes sounding for an
additional 2 measures.
- The 5# is released for 1 measure, then changed to
5 for the next measure, then
back and forth between 5 and 5#, while keeping both 1 and 1# sounding.
- Then 1, 1#, and 5 are sounded while back and forth between
8 and 8#.
- The movement continues along similar patterns,
with at least two adjacent notes always sounding.
- It concludes on 1, 1#, 5, and 8,
then 1# stops sounding, providing the only consonance.
- Movement 2: (tweet #HACode2) is a piece entitled "Adagio for
(PASCO) Fourier Synthesizer and Lock-In Amplifier" (S. Mann 1978),
and is about the Law of Sensory Reciprocity.
This performance will be done by
S. Mann, R. Janzen, and K. Yang.
- Movement 3: (tweet #HACode3) is a piece entitled "440" (S. Mann, 2008).
It is about the Third Law of Human Augmentation.
An much abridged version will be played tonight.
Each movement is more restrictive than the previous one, thus symbolizing the
nested nature of the Three Laws, each Law following from the Law before it.
http://wearcam.org/codecert.htm
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Videos will be posted here (link)
Pictures will be posted here (link)