Gallery of Lightvector paintings

`Intelligent Image Processing''

Lightspace rendering is a new genre of visual art that grew out of wearable computing and mediated reality in the 1970s.

Here are some examples of lightvector paintings; click on icon to go to medium sized image; click on that image to go to fullsize image:

• brooklyn br used on cover of the Wiley textbook:
  
• hermitage ruins:
  
• christian_island:
  
• times square:
  
• Knox College:
  
• University College:
  
• University College revisited:
  
• 921 sulphur springs road:
  
• alcatraz stairs:
  
• umbrella_hair:
  
• Humanistic Intelligence Lab in SF2202:
  
• Y2K; new years 1999-2000:
  
• Portrait of Dan Beer in room SF2202:
  
• Niagara falls easel:
  
• dusting the MZTV television museum building:
  
• exhibit, including world's first wristwatch computer:
  
• Griefcase; this briefcase is not a theifcase:
  
• Mass decontamination exhibit at Gallery TPW, Jul 2001:
  
• Computer vision system for the showers
  
• DECONference 2002:
  
• Decontemporary decontempered water sculpture:
  
• License to Sit exhibit at San Francisco Art Institute:
  
• ECE385 Hall of Fame, November 2002
  
• ECE385 Hall of Fame, November 2001
  
• ECE385 Lab 9, November,December 2000:
  
• SightLicense (License to See), Keynote Address at Virtual Reality conference:
  
• Microseconds and Millenia exhibit at Olga Korpa Gallery:
  
• convocation hall:
  
• robarts library:
  
• Ron Laytner's visit to hilab:
  
• Cyborg Echoes exhibit at Deconism:
  
• History and future of wearable computing (exhibit):
  
• Bahen building, University of Toronto:
  
• Fung Manders band:
  
• Telematic Tubs Against Terror:
  
• Bapterrorism: Hysterical relaxation in immersive media
  
• Bedlam Telekinesis (Penny+Vorn exhibit at 330 Dundas Street):
  
• EEG electrodes at 330 Dundas Street:
  
• Level 1 330 Dundas Street (deconfigurable architecture):
  
• ECE385 Lab1, 2003SEP24:
  
• ECE385 Lab2, 2003SEP30:
  
• Deconism 600A 3p service, October 2003:
  
• Crumb rubber sculpture (interactive shower):
  
• Steve Mann's Smithsonian presentation and Smithsonian exhibit, facilitated and setup by his students, James Fung and Chris Aimone:
  This image made possible by the extremely high light output of the Metz Mecablitz.
• Parallel GPU-based computer system running OpenVIDIA
  
• ECE385, lab89, 2003:
  This image made possible by the extremely high light output of the Metz Mecablitz.
• 322 Dundas Street West:
  This image made possible by the extremely high light output of the Metz Mecablitz.
• Streetcar behind mannequin:
  
• Hydro towers near Guelph Sleeman:
  (This is a good illustration of the noise-free nature of the D2H.)
• Nikon visit, 2004 Mar. 16th:
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• ECE496 brainwave-controlled lighting:
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• visit to Prof. John Kennedy's house for dinner, with Stefanos Pantagis:
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• lightvector paintings of the Pages Bookstore cyborg mannequin:
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• Canada's first rooftop-mounted urban wind turbine, research project...:
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• sculpture at images festival
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• "Turlets" (turfed toilets):
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• Supreme Court of Canada (SCC):
  This image made possible by the Nikon D2H and the Metz Mecablitz.
• CEMENTbox:
  This image made possible by the Nikon D2H and the Lumedyne.
• TV04 Opening Keynote Address:
  
• Self Portraits by Christina Mann:
  
• An admirer of Yorkville's Van Seters sculpture stands next to it:
  
• Dusting demonstration in Bahen building for ECE385+ECE496 classes, December 2004:
  
• ECE385 course, 2005:
  
• Nessie:
  
• OSC Hydraulophone:
  
• 5-year-long exposure of AGO
  
• other lightvector paintings:
  
• Lookpaintings (painting with looks) are also generated from a wearable imaging system but often have a different aesthetic: